Logo Design | Ortús Chamber Music Festival

Final Logo Design

Very excited about this project! Back in June, a friend of mine - super talented cellist, Sinéad O Halloran - approached me about an idea she had. Together with Mairead Hickey, she plans to launch a brand new chamber music festival, called Ortús, which will be based in East Cork in February 2016. It was an absolute pleasure for me to get involved by designing a logo for the event!

Very loose and sketchy initial thoughts.

After discussing the project with Sinéad, I learned that the name of this festival - Ortús, pronounced "ore-toose" rhyming with moose - originates from two words; the latin word, ortus, meaning rising, beginnings, origin; and the Irish word tús which means beginning, start. The overall idea of the festival is to encourage young Irish musicians who have studied and performed abroad to come home and share what they've learned from their experiences with our local communities. Three concerts are planned, as well as open rehearsals, and outreach in schools. With all of this, Ortús really wants to make chamber music more accessible to the public, and hopefully inspire the next generation of musicians to broaden their horizons too. 

Colour studies.

With all this in mind, I began drawing up sketches in various styles and colours. I considered a wide range of symbols; inspired by everything from the passion that these musicians had for their craft and the cultural significance of returning home to share their experiences, to the dawning of their careers and the idea of crossing oceans and moving mountains with their talents. I also considered more physical elements of the project; including elements of string instruments and music notes, as well as waves of the ocean and the colours of the sea and land. 

Final design.

After various experiments and revisions, the final design that we came up with was this. Encompassing the idea of crossing oceans, and returning to the island of Ireland, I included waves and 'bubbles' in a deep blue design. I also used four "strings" to represent both the instruments that will be played during the festival, as well as the sheet music the musicians will play according to.  The curving shapes were inspired by the scroll at the top of those instruments, as well as the treble clef used in sheet music, and the fluid motion of music as its played- both in the sound, and in the musician themselves, as they pull the bow across the strings.

A few photos I took of the musicians involved.

Sinéad was also kind enough to let me tag along during a photoshoot at the end of June, which gave me the opportunity to meet with the musicians involved, take a few photos, and listen to them play. They're impressive, to say the least! I can't wait to see them perform again next February, and I'll share details as the event approaches on my social feeds, because I think you might like to see them perform too!

Taken while I was waiting around on the day of the photoshoot.

I was also fortunate enough to meet with Richard from Creative Productions, as he recorded a promotional video on the day, and with Bríd O Donovan, who handled photography.  Go and like the Ortús Festival Facebook Page to keep up to date on all of the Ortús Festival details. It's gonna be good! 

Adventures in Catalunya

Clockwise: 1) That'd be me. Hello. I shall be your guide today. 2) The funicular, which will take you from the base of Montjuic to the top. If you ask it nicely. 3) The gardens at the Castell de Montjuic. 4) The cityscape

In Spain, where I spent two wonderful weeks this June; I spent every day soaking up the warmth of the sun, I encountered a woman who told us that her eight year old "needs to learn to ride his motorbike this summer," and between all the quirky architecture, all the wacky sculptures, and all the unusual (to me) wildlife, I spotted subtle signs of MotoGP fans like me everywhere I looked. Needless to say, Barcelona city, and the mountainous countryside surrounding it, was a pretty amazing place to spend a fortnight.

Click through to see more photos of muh face. And click to enlarge the photos!

Self-Portrait

This is more than a little bit outside my comfort zone: It's really very rare that I post photographs of myself anywhere online. I've been half-wanting and half-afraid to post this for a while now though, and the indecision is starting to seriously frustrate me. Ultimately, because I like to think of this space as a personal account of all the work I do, and because I want to try this project and more self-portrait-ish projects when I have more time, I've decided to go ahead and post it. So, tentatively... here's a (rotoscoped) portrait of myself. Click through to see the original photograph. Consider yourself warned. 

1916 Easter Rising

I'm a little bit late, but I hope everyone had a wonderful Easter! In Ireland, Easter is significant both religiously and politically. I'm not going to go into detail (knock yourself out on the 1916 Easter Rising page on Wikipedia if you feel that way inclined), but I thought it would be an appropriate time to share this still video project.

You might remember last October I shared the colorization project above. Well, at the beginning of this semester we were asked to add movement to those photographs. So I came back to this one, separated out all the different layers within it, and added a bit of camera movement. I'm pretty happy with the end result!

Emily | Portrait

Here's another assignment from last semester: a digitally painted portrait. Once again, the wonderfully willing Emily (actress) helped me out by becoming my model. There's a chance you'll remember her from past projects, including Race Against Time and The White Lady of Kinsale. I actually asked Emily to help me with this one in particular for a number of reasons, which influenced the overall look of this project.

Firstly, we met in secondary school, where we took art classes together. At that stage, Emily occasionally tried her hand at painting, and frequently leaned towards more abstract looks. For this reason, I built the portrait on a background of acrylic-style brushstrokes. I picked the sepia colour because Emily, like me, has a fondness for all things vintage (especially old film-memorabilia, I think), so I wanted to capture an old-film kind of look. I also added gold because Emily is always classy and elegant, so it seemed fitting. I also appreciated the connection to film awards such as the Golden Globes, which is another link to Emily's personality.

Emily's personality and our shared interests also influenced smaller details within the image. In school, we were always hopelessly ambitious (we still are, to be honest) and it was her ambition to become a part of the acting world, for instance, which inspired the film reel border. Because she is a self-professed coffee-connoisseur and tea-lover - and the fact that when we meet, either coffee or tea are generally involved at some stage - I added the coffee stains to the background. Finally, I added some French phrases in a scripted font for a few reasons. Emily and I shared language classes for many years, and we both share a love of travel. Emily, I believe, is particularly partial to capital cities, like London and Paris. We also both share a tendency to use elaborate handwriting wherever possible. And finally, Emily has a very distinctive way of speaking, which is usually pretty entertaining, so I wanted to include language in some way.

And so, the portrait above is a result inspired by the ever-lovely Emily (actress), to whom I am so, so grateful for! Below, you can see the original photograph I took of Emily for reference in all her Irish-sun-drenched glory.

Photography | Tones

Last semester, I also studied a photography module, which was something completely new for me. Yes, I have taken photos before, but I had never taken the time to really get to know how to use a DSLR to its full potential. So, photography class was a bit of a learning curve, and its a skill I would love to develop further. These shots were taken for a photography assignment in the past few months. Click to embiggen them!

Colourisation

I'm back in college! This is one of the first assignments of the year; to colourise a black and white photograph that has something to do with the 1916 Easter Rising. The photo I chose was taken in 1915, in Cork City. It's of a group of the Irish Volunteers, including my great-grandfather, Sean Scanlan (second from the right in the back row). Click through to see the original photograph and my progress with it.

Race Against Time

Back in the first semester of college, we were tasked with creating a stop-motion animation inspired by a turn of phrase. I picked "Race Against Time," because there never seem to be enough hours in the day and I'm a (motorbike) racing enthusiast. I come from a family of petrolheads, too, so getting my hands on props for this project wasn't too difficult either. The helmet and gloves were my own, the steering wheel came from my brother's kit car, the overalls are my brothers, and the clock faces were given to me by an old art teacher who'd worked in an antique clock shop at some point.

I first started capturing images for this project one late night in a multi-storey car park in the city. It was a fun night out with my dear friend Emily, but ultimately ended prematurely, as it turns out taking photographs for a few hours there was frowned upon by security...

So, a change of scenery was called for! Thankfully, Emily's father let us loose in his office building for a night when no one was around, and it turned out great. In that one night, we spent many long hours moving things inch by painstaking inch, taking hundreds of photos, and making many a fresh cup of tea to keep us fuelled up. By three in the morning, we'd just about run out of steam, but we'd managed to capture everything I needed to string together a minutes' worth of stop-motion. What do you think? Was it worth it?

The White Lady of Kinsale

My latest Visual Communications assignment was based on the theme of Macabre Ireland. We were asked to go out and research a local myth or legend, and create a book cover for it using photography, collage, and photo-manipulation. I chose to base mine on the story of the White Lady of Kinsale.

The story goes something like this:

In the early 18th century, Charles Fort was governed by a man called Colonel Warrender. He had a beautiful daughter, named Wilful, who fell in love with a man called Trevor Ashurst, an officer stationed at the fort. On the night of their wedding, Wilful and Trevor took a walk along the battlements. Wilful noticed a crop of flowers growing on the rocks at the base of the fort and set her heart of having them. Trevor, eager to please his new wife, promised to fetch the flowers for her, and sent her home to wait for his return. 

Once Wilful had left, Trevor turned to the nearest sentry on duty and asked that he retrieve the flowers instead. The sentry agreed, on the condition that Trevor take his place in the sentry box. The two men switched uniforms and the sentry set off to fetch the flowers. Trevor promptly fell asleep in the sentry box.

Colonel Warrender, Wilful's father, was known to be a strict disciplinarian. Upon discovering the sentry asleep at his post, the Colonel immediately shot him through the heart. After the shot was fired, the colonel examined the body and discovered that he had just killed his daughter's husband.

When Wilful heard the gunshot, she ran to the battlements to investigate. She was so distraught by the sight of her father holding the dead body of her husband that she immediately ran to the edge, and threw herself from the fort and into the waves below. 

To this day, the ghost of Wilful Warrender is said to wander the battlements of Charles Fort, still wearing her wedding dress. 

I ended up making two trips to Charles Fort, in Kinsale, over the past month or so to do research and to gather photographs. On the second occasion, I brought my dear friend Emily with me, who very kindly wore a white sun-dress and posed as Wilful for me, despite the freezing damp and bitterly cold weather. I'm forever grateful to her! The top image is the final book cover that I came up with, and the rest are a few of the photographs I took in their original state.